While the musicians he produced were routinely of the highest caliber-masters of their art-none had the slightest clue how to create a record album, much less get it distributed. Early on, he recognized record production as an art. They understand producing jazz as a vocation or calling, although no one with whom I’ve spoken would own up to motivations that lofty or noble. Sometimes, as in the exceptional cases of Norman Granz and Creed Taylor, jazz producers make a lot of money. They record and release albums they love, made by musicians they love. Their exquisite taste-or their taste for the exquisite-motivates and guides their work as record producers. Whatever else they are or have been-bluebloods, musicians, entrepreneurs, critics, recording engineers, and entertainment lawyers-they’re connoisseurs. Despite vast individual differences, the folks who have made jazz albums share one characteristic. In one respect, Don Schlitten is like everyone interviewed for this book. Packed with fascinating stories and fresh perspectives on over 200 albums and artists, including legends such as Louis Armstrong, John Coltrane, and Miles Davis, as well as contemporary artists such as Diana Krall and Norah Jones, Pressed for All Time tells the unknown stories of the men and women who helped to shape the quintessential American sound.Ĭadenza Don Schlitten on Producing Jazz Records Drawing together interviews with over fifty producers, musicians, engineers, and label executives, Jarrett shines a light on the world of making jazz records by letting his subjects tell their own stories and share their experiences in creating the American jazz canon. Discover the stories behind some of jazz's best-selling and most influential albums in this collection of oral histories gathered by music scholar and writer Michael Jarrett. But without them and their contributions to the art form, we'd have little on record of some of the most important music ever created. In histories of music, producers tend to fall by the wayside-generally unknown and seldom acknowledged.
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